“And what it means to make a town that isn’t really a town, but, rather a set of a town. “I think it really started with how to make this town right,” he continued. Idris Elba Says Bond Casting Rumors Led to ‘Disgusting’ Backlash: ‘It Became About Race’ We also looked at the rock formations when they drive out of town. Or the cafe when we took several little detailed pieces for the back counter of the luncheonette straight from there. How the tar paper was nailed to the roof of the gas station, and we ended up using it for the way we wrapped the tar paper around the motel cabins. But also we’d go in and look at tiny details, too. Generally, we were looking at ‘Black Rock’ for overall how the town’s in the landscape. “We started right with the credits introduction with the moving train and then, of course, crossing with the little white sign. “Absolutely, that was an influence,” Stockhausen (“Indiana Jones and the Dial of Destiny”) told IndieWire. Oscar-winning production designer Adam Stockhausen (“The Grand Budapest Hotel”) found John Sturges’ neo-Western, shot in CinemaScope on the edge of Death Valley, a valuable reference for planning the landscape for this Pirandello-like play-within-a-TV-show-within-a-movie conceit. If the eponymous mid-’50s southwestern town in Wes Anderson’s “Asteroid City” resembles the iconic “Bad Day at Black Rock” (1955), it’s no coincidence.
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